https://colourandfilm.com/cfps/https://colourandfilm.com/wp-content/uploads/2026/04/color-in-motion-mulispectral-scans-on-screen.pngColor In Motion Mulispectral scans on screenhttps://colourandfilm.com/wp-content/uploads/2026/04/annabelle-onscreen-academy-museum-2.pngAnnabelle onscreen Academy Museumhttps://colourandfilm.com/wp-content/uploads/2026/04/annabelle-onscreen-academy-museum-1.pngAnnabelle onscreen Academy Museumhttps://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.05.18-2.pngScreenshot 2026-03-20 at 12.05.18https://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.09.49-2.pngScreenshot 2026-03-20 at 12.09.49https://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.05.18-1.pngScreenshot 2026-03-20 at 12.05.18https://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.09.49-1.pngScreenshot 2026-03-20 at 12.09.49https://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.05.18.pngScreenshot 2026-03-20 at 12.05.18https://colourandfilm.com/wp-content/uploads/2026/04/screenshot-2026-03-20-at-12.09.49.pngScreenshot 2026-03-20 at 12.09.49https://colourandfilm.com/wp-content/uploads/2026/04/annabelle-onscreen-academy-museum.pngAnnabelle onscreen Academy Museum2026-04-03T20:23:30+00:00weekly0.6https://colourandfilm.com/2026/02/18/the-digitization-and-curation-of-historical-colours-in-photography-and-film-an-interview-with-barbara-flueckiger-ceo-of-scan2screeen-and-professor-emeritus-of-film-studies-university-of-zurich/https://colourandfilm.com/wp-content/uploads/2026/02/screenshot-2026-02-18-at-14.54.25.pngScreenshot 2026-02-18 at 14.54.25https://colourandfilm.com/wp-content/uploads/2026/02/screenshot-2026-02-18-at-14.53.43.pngScreenshot 2026-02-18 at 14.53.43https://colourandfilm.com/wp-content/uploads/2026/02/screenshot-2026-02-18-at-13.01.54.pngScreenshot 2026-02-18 at 13.01.54https://colourandfilm.com/wp-content/uploads/2026/02/len-lye2-bfi-sfspp-scan2screen.pngLen Lye2 BFI SFSPP Scan2Screenhttps://colourandfilm.com/wp-content/uploads/2026/02/len-lye-bfi-sffp-scan2screen.pngLen Lye BFI SFFP Scan2Screenhttps://colourandfilm.com/wp-content/uploads/2026/02/annabelle-onscreen-academy-museum.pngAnnabelle onscreen Academy Museumhttps://colourandfilm.com/wp-content/uploads/2026/02/annabelle-film-strip-close-up.pngAnnabelle Film strip close uphttps://colourandfilm.com/wp-content/uploads/2026/02/diecke-dye-workshop-fotomuseum.pngDiecke Dye workshop Fotomuseumhttps://colourandfilm.com/wp-content/uploads/2026/02/flueckiger-foto-museum.pngFlueckiger Foto Museumhttps://colourandfilm.com/wp-content/uploads/2026/02/color-in-motion-mulispectral-scans-on-screen.pngColor In Motion Mulispectral scans on screen2026-02-19T12:17:55+00:00monthlyhttps://colourandfilm.com/archive-cfps-and-funding/https://colourandfilm.com/wp-content/uploads/2026/02/screenshot-2026-02-17-at-14.53.14-1.pngScreenshot 2026-02-17 at 14.53.14https://colourandfilm.com/wp-content/uploads/2026/02/screenshot-2026-02-17-at-14.53.14.pngScreenshot 2026-02-17 at 14.53.14https://colourandfilm.com/wp-content/uploads/2023/02/sustainable-futures-picture-1.pngSustainable Futures Picture 1https://colourandfilm.com/wp-content/uploads/2023/02/pan-si-dong-picture-1.pngPan Si Dong Picture 1https://colourandfilm.com/wp-content/uploads/2019/10/img_9798-e1571932033493.pngShades of Grey: the History and Ethics of ColourisationShades of Grey: the History and Ethics of Colourisation. Widescreen Weekend Film Festival, National Science and Media Museum 10th October 2019. (images courtesy of the National Science and Media Museum, Bradford)https://colourandfilm.com/wp-content/uploads/2019/10/img_9796-1-e1571932073835.pngIMG_9796https://colourandfilm.com/wp-content/uploads/2019/10/img_9796.pngIMG_97962026-02-17T14:55:33+00:00weekly0.6https://colourandfilm.com/resources/https://colourandfilm.com/wp-content/uploads/2017/12/slide3-e1512565900445.jpgSlide3https://colourandfilm.com/wp-content/uploads/2017/12/lljpxsf3gbe-nick-turner.jpgPlaceholder Image2025-10-20T09:37:22+00:00weekly0.6https://colourandfilm.com/contact/https://colourandfilm.com/wp-content/uploads/2025/10/screenshot-2025-10-07-at-21.03.54.pngScreenshot 2025-10-07 at 21.03.54https://colourandfilm.com/wp-content/uploads/2025/10/slide8.jpegSlide8https://colourandfilm.com/wp-content/uploads/2017/12/colour-illustrations-2-e1512576333818.jpgColour Illustrations 2https://colourandfilm.com/wp-content/uploads/2017/12/pen-film-strip.jpgpen film striphttps://colourandfilm.com/wp-content/uploads/2017/12/portfolio-7.jpgPlaceholder Image2025-10-08T11:08:35+00:00weekly0.6https://colourandfilm.com/colour-in-context-symposium-programme/2025-10-07T14:04:30+00:00weekly0.6https://colourandfilm.com/colour-in-context-symposium-abstracts/https://colourandfilm.com/wp-content/uploads/2025/10/slide5-2.jpegSlide5 2https://colourandfilm.com/wp-content/uploads/2025/10/slide5.jpegTechnicolor V samples.Technicolor No. V samples from the Cinematography Collection at the National Science and Media Museum in Bradford. Credit: NSMM. Photographs by Barbara Flueckiger and Noemi Daugaard. China girl or Shirley images images were shot on strips of film 'leaders' next to colour swatches and grayscale cards. The images were used as a technical support to calibrate the film shown to cinema audiences.https://colourandfilm.com/wp-content/uploads/2025/10/slide6-1.jpegSlide6https://colourandfilm.com/wp-content/uploads/2025/10/slide6.jpegSlide6https://colourandfilm.com/wp-content/uploads/2025/10/slide2.jpegSlide2https://colourandfilm.com/wp-content/uploads/2025/10/slide2-2.jpegSlide2 2https://colourandfilm.com/wp-content/uploads/2025/10/slide1.jpegSlide12025-10-07T14:00:11+00:00weekly0.6https://colourandfilm.com/cfp-colour-in-context-symposium-university-of-bristol-23rd-march-2018/2025-10-07T11:09:47+00:00weekly0.6https://colourandfilm.com/2024/12/19/report-of-the-8th-international-color-conference-in-film-held-in-bristol-united-kingdom-nov-11-13-with-prescreening-nov-10-2024-dr-kirsten-moana-thompson/2024-12-19T11:04:36+00:00monthlyhttps://colourandfilm.com/notesoncolour/https://colourandfilm.com/wp-content/uploads/2024/12/poynton-and-mask.jpgPoynton and 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SIG Events.jpgImage credits: (clockwise from top left) Approaching Contemporary French Cinema: Girlhood Symposium, King’s College London; Circulating Cinemas: Moving Image Research and the Transnational Archive, King’s College London; BAFTSS SIGs Homepage; World Cinema and the Essay Film: Transnational Perspectives on a Global Practice (EUP, 2019); Femininity and Psychoanalysis: Cinema, Culture and Theory, Freud Museum. Femininity and Psychoanalysis: Cinema, Culture, Theory (Routledge 2019) ; Reinvigorating and Reinventing Star Studies Symposium, University of Warwick. Screen Industries Methodologies Symposium, Watershed in Bristol.https://colourandfilm.com/wp-content/uploads/2020/05/baftss-logo-e1590504150616.jpgBAFTSS LogoBAFTSS SIG Newsletter 2020-05-26T14:45:09+00:00weekly0.6https://colourandfilm.com/cfp-darkrooms-and-representations-histories-of-photography-film-and-exploration-conference/2020-03-17T14:49:11+00:00weekly0.6https://colourandfilm.com/2020/02/21/iamhist-blog-views-on-colour/https://colourandfilm.com/wp-content/uploads/2020/02/morris-challis-brit-col-cinema-books.pngMorris Challis Brit Col Cinema BooksAutobiographies by Ossie Morris and Chris Challis with British Colour Cinema: Practices and Theories (Palgrave / BFI 2013). 2020-02-21T13:52:46+00:00monthlyhttps://colourandfilm.com/cfp-frames-cinema-journal-special-issue-on-the-politics-of-colour-media-issue-17-summer-2020/2019-12-27T11:38:58+00:00weekly0.6https://colourandfilm.com/2019/12/07/sonia-delaunays-lelegance-1926-and-the-keller-dorian-colour-system-by-lucy-moyse-ferreira/2025-04-05T15:58:16+00:00monthlyhttps://colourandfilm.com/2019/10/25/vicky-jackson-coronation-street-class-and-colour-television-me-own-colour-telly-oo-just-think-the-changing-of-the-guard-in-livid-colour/https://colourandfilm.com/wp-content/uploads/2019/10/fig6repoman.pngFig6RepoManRight: The TV Set is Repossessed. Coronation Street. Episode 1103, 11 August 1971. Directed by Ronnie Mutch. Granada Television.https://colourandfilm.com/wp-content/uploads/2019/10/fig5repoman.pngFig5RepoManLeft: A Wildlife Programme Is Played to An Empty Room. Coronation Street. Episode 1103, 11 August 1971. Directed by Ronnie Mutch. Granada Television.https://colourandfilm.com/wp-content/uploads/2019/10/fig4hildagreenlight.pngFig4HildaGreenLightHilda Ogden and Bet Lynch watch the cricket on the Ogdens’ colour TV set. Coronation Street. Episode 1102, Directed by Ronnie Mutch (Manchester: ITV, 9 August 1971).https://colourandfilm.com/wp-content/uploads/2019/10/fig3hildadusting.pngFig3HildaDustingHilda Lovingly Dusts Her Colour TV Set. Coronation Street. Episode 1101, 4 August 1971. Directed by Eric Prytherch. Granada Television clip shown in 40 Years on Coronation Street, 28 November 2000. Directed by Gabrielle Osrin. LWT.https://colourandfilm.com/wp-content/uploads/2019/10/fig2hildasmural.pngFig2HildasMuralHilda’s Mural. Coronation Street. Episode 1617, 14 July 1976. Directed by Bill Gilmour. Granada Televisionhttps://colourandfilm.com/wp-content/uploads/2019/10/fig1titles.pngCoronation Street.Colour Titles. Coronation Street Episode. 1103, 11 August 1971. Directed by Ronnie Mutch. Granada Television.2019-10-25T13:23:44+00:00monthlyhttps://colourandfilm.com/keynote-lectures-darkrooms-and-representations-conference/2019-09-19T21:13:19+00:00weekly0.6https://colourandfilm.com/2019/08/06/screening-point-blank-at-the-watershed-bristol-10-july-2019-by-paul-frith/https://colourandfilm.com/wp-content/uploads/2019/08/keith-screening.jpegKeith M. Johnston introducing Point Blank (dir. John Boorman, 1967)Keith M. Johnston introducing Point Blank (dir. John Boorman, 1967) at the Watershed, Bristol. 10th July 2019.https://colourandfilm.com/wp-content/uploads/2019/08/point-blank.pngColour design and the 'canary-yellow telescope' in Point Blank (dir. John Boorman, 1967)Colour design and the 'canary-yellow telescope' in Point Blank (dir. John Boorman, 1967).2019-08-06T12:01:25+00:00monthlyhttps://colourandfilm.com/2019/08/04/10-years-and-going-stronger-global-colour-and-the-moving-image-conference-at-university-of-bristol-july-2019-conference-report-by-kamalika-sanyal/https://colourandfilm.com/wp-content/uploads/2019/08/stuart-moore-sea-front-2.jpgStuart Moore Sea Front 2Stuart Moore 'Catching Sunlight: Kodachrome and the Colour of Memory ' (Image Credit Stuart Moore, University of the West of England).https://colourandfilm.com/wp-content/uploads/2019/08/stuart-moore-sea-front-1.jpgStuart Moore Sea Front 1Stuart Moore 'Catching Sunlight: Kodachrome and the Colour of Memory ' (Image Credit Stuart Moore, University of the West of England).https://colourandfilm.com/wp-content/uploads/2019/08/14.-poster-of-they-shall-not-grow-old-2018.jpg14. Poster of They Shall Not Grow Old 2018https://colourandfilm.com/wp-content/uploads/2019/08/13.-image-from-who-will-be-a-gurkha-2012.jpeg13. Image from Who will be a Gurkha 2012Who will be a Gurkha (dir. Kesang Tseten, Nepal, colour, 2012). (image credit: The Eastmancolor Revolution)https://colourandfilm.com/wp-content/uploads/2019/08/12.-first-colour-film-in-socialist-china-presented-by-zhaoyu-zhu-1-1-e1564935463362.jpg12. First colour film in Socialist China - presented by Zhaoyu ZhuZhaoyu Zhu (King's College London) 'A Visit to Colour Cinema in Maoist China.'https://colourandfilm.com/wp-content/uploads/2019/08/11.-ranjani-mazumdar-keynote.jpg11. Ranjani Mazumdar Keynotehttps://colourandfilm.com/wp-content/uploads/2019/08/10.-colour-films-posters-of-the-1960s-presented-by-ranjani-mazumdar.jpeg10. Colour films posters of the 1960s - presented by Ranjani Mazumdarhttps://colourandfilm.com/wp-content/uploads/2019/08/9.-scene-from-la-mode-1927-presented-by-lucy-moyse-ferrerira.jpeg9. Scene from La Mode 1927 - presented by Lucy Moyse FerreriraScene from La Mode 1927 - presented by Lucy Moyse Ferrerira (image credit: The Eastmancolor Revolution) https://colourandfilm.com/wp-content/uploads/2019/08/8.-colours-chromo-technic-usage-in-the-film-red-desert-presented-by-federico-pierotti.jpeg8. Colour's chromo technic usage in the film Red Desert - presented by Federico PierottiFederico Pierotti (University of Florence) 'Red Desert: a chromo-technical film.' https://colourandfilm.com/wp-content/uploads/2019/08/6.-screen-grab-of-auroratone-film-of-the-1940s-1.png6. Screen grab of Auroratone film of the 1940s-12019-08-05T18:12:51+00:00monthlyhttps://colourandfilm.com/call-for-chapters-film-stock-histories-technologies-aesthetics/2019-06-11T15:23:39+00:00weekly0.6https://colourandfilm.com/2019/05/05/call-for-submissions-film-stock-histories-technologies-aesthetics/https://colourandfilm.com/wp-content/uploads/2019/05/fig-2-bradford_kodakcollection1990-5036_12071_raycol_img_0191.jpgFIG 2 Bradford_KodakCollection1990-5036_12071_Raycol_IMG_0191Raycol samples from the Kodak Film Samples Collection at the National Science and Media Museum in Bradford. Credit: National Science and Media Museum Bradford. Photographs by Barbara Flueckiger in collaboration with Noemi Daugaard. Timeline of Historical Film Colors: http://zauberklang.ch/filmcolors/ https://colourandfilm.com/wp-content/uploads/2019/05/fig-1-bradford_kodakcollection1990-5036_12061_raycol_img_0184-e1557073280720.jpgFIG 1 Bradford_KodakCollection1990-5036_12061_Raycol_IMG_0184Raycol samples from the Kodak Film Samples Collection at the National Science and Media Museum in Bradford. Credit: National Science and Media Museum Bradford. Photographs by Barbara Flueckiger in collaboration with Noemi Daugaard. Timeline of Historical Film Colors: http://zauberklang.ch/filmcolors/ 2019-05-07T22:03:25+00:00monthlyhttps://colourandfilm.com/2019/04/07/the-colour-wars-colour-psychology-in-the-post-war-era-by-kathryn-millard/https://colourandfilm.com/wp-content/uploads/2019/04/colour-broadcasting-system-e1554667640117.jpgColour Broadcasting Systemhttps://colourandfilm.com/wp-content/uploads/2019/04/technicolor-industrial-films-e1554667484505.jpgTechnicolor Industrial Filmshttps://colourandfilm.com/wp-content/uploads/2019/04/color-harmony-for-your-home-1956.jpgColor Harmony for your Home 19562019-04-09T20:19:47+00:00monthlyhttps://colourandfilm.com/2019/03/06/colour-in-film-conference-report-2019-by-dr-caroline-rickards/https://colourandfilm.com/wp-content/uploads/2019/03/layton-image.jpegLayton ImageImage courtesy of Twentieth Century Fox Studio Recordshttps://colourandfilm.com/wp-content/uploads/2019/03/fashion.jpgFashionImages from Parisian Inspirations in Color courtesy of the George Eastman Museumhttps://colourandfilm.com/wp-content/uploads/2019/03/darling-chromo.jpgDarling ChromoMarketa Uhlirova with a poster design for ‘Miss Darling Chromo’ circa 1898https://colourandfilm.com/wp-content/uploads/2019/03/blushing-fish-2.jpgBlushing Fish (2)Images from The Bluffer (1930) filmed in Sennetttcolorhttps://colourandfilm.com/wp-content/uploads/2019/03/colour-image-e1551908517234.jpgColour Image2019-03-08T12:34:19+00:00monthlyhttps://colourandfilm.com/2019/02/22/apocalypse-colour-by-gillian-mckiver/https://colourandfilm.com/wp-content/uploads/2019/02/fig7.pngFIG7Apocalypse Now Directed by Francis Ford Coppola, cinematographer Vittorio Storaro, Production Designer Dean Tavoularis. Released 1979.https://colourandfilm.com/wp-content/uploads/2019/02/fig6.pngFIG6FIG 5. Apocalypse Now Directed by Francis Ford Coppola, cinematographer Vittorio Storaro, Production Designer Dean Tavoularis. Released 1979.https://colourandfilm.com/wp-content/uploads/2019/02/fig4.pngFIG4FIG 4. Apocalypse Now Directed by Francis Ford Coppola, cinematographer Vittorio Storaro, Production Designer Dean Tavoularis. Released 1979.https://colourandfilm.com/wp-content/uploads/2019/02/fig3.pngFIG3FIG 3. Apocalypse Now Directed by Francis Ford Coppola, cinematographer Vittorio Storaro, Production Designer Dean Tavoularis. Released 1979]https://colourandfilm.com/wp-content/uploads/2019/02/fig2-e1550792649661.pngFIG2FIG 2. Apocalypse Now Directed by Francis Ford Coppola, cinematographer Vittorio Storaro, Production Designer Dean Tavoularis. Released 1979]https://colourandfilm.com/wp-content/uploads/2019/02/fig-1.jpgFIG 1FIG. 1 Defeat of the Spanish Armada, 8 August 1588 (1790) Philip James de Loutherbourg.2019-02-25T12:44:49+00:00monthlyhttps://colourandfilm.com/baftss-colour-and-film-sig-report-2016-18/2019-01-25T16:10:08+00:00weekly0.6https://colourandfilm.com/postgraduate-research-poster-showcase-competition/2019-01-25T15:59:21+00:00weekly0.6https://colourandfilm.com/fourth-international-colour-in-film-conference/2019-01-25T12:08:26+00:00weekly0.6https://colourandfilm.com/2019/01/23/weaponised-colour-a-brief-history-of-the-dye-transfer-process-in-chinas-cultural-revolution-by-zhaoyu-zhu/https://colourandfilm.com/wp-content/uploads/2019/01/table-1.jpgtable 1Table 1: The Personnel Table of the Thirteen People who were chosen into the film industrial production coordinative direction group.https://colourandfilm.com/wp-content/uploads/2019/01/figure-4.b..jpgfigure 4.b.Figure 4.b. the Technicolor installed at Beijing Film Lab https://colourandfilm.com/wp-content/uploads/2019/01/figure-4.a..jpgfigure 4.a.Figure 4.a. the Soviet-model dye-imbibition machine in Shanghai. https://colourandfilm.com/wp-content/uploads/2019/01/figure-3.jpgfigure 3Figure 3: The Red Detachment of Womenhttps://colourandfilm.com/wp-content/uploads/2019/01/figure-2.jpgfigure 2Figure 2: the “song and dance epic” Dongfanghong (The East is Red, dir. Wang Ping, 1965)https://colourandfilm.com/wp-content/uploads/2019/01/figure-1.jpgfigure 1Figure 1: The paper-folding animation Yike Dabaicai (A Big Chinese Leaf, Yu Zheguang, 1961). This short animation was one of the earliest works to be printed in dye-transfer process in China. 2019-01-23T20:24:31+00:00monthlyhttps://colourandfilm.com/professor-sarah-street-the-art-of-film-colour-colour-group-gb-turner-medal-lecture/2019-01-11T12:44:11+00:00weekly0.6https://colourandfilm.com/cfp-global-colour-and-the-moving-image-conference-university-of-bristol-10-12-july-2019/2018-11-01T17:52:10+00:00weekly0.6https://colourandfilm.com/2018/10/19/a-novelty-never-before-attempted-spectacular-illusions-and-early-colour-cinema-in-aberdeen-scotland-by-stephen-mcburney/https://colourandfilm.com/wp-content/uploads/2018/10/poem-e1539970140840.jpegpoemFigure 2. A satirical poem published in “Turiff. Cinematographs! Cinematographs!,” Bon Accord, 24 December 1896, 8. https://colourandfilm.com/wp-content/uploads/2018/10/kaleidoscope.jpegkaleidoscopeFigures 3-6. Kaleidoscope attachment for an optical / magic lantern, 1900s. Wooden framed Kaleidoscopic lantern slide with revolving rack and pinion mechanism, c1900s, MI.9/5/41. Moving Image Archive, Glasgow.https://colourandfilm.com/wp-content/uploads/2018/10/william-walker-e1539969900990.jpegwilliam walkerFigure 1. William Walker as a young man, c1885. 5/3/2, Walker Family Collection. Moving Image Archive, Glasgow.2018-10-20T15:32:04+00:00monthlyhttps://colourandfilm.com/cfp-color-tv-aesthetics/2018-07-19T15:48:04+00:00weekly0.6https://colourandfilm.com/2018/07/07/visual-composition-in-widescreen-and-colour-film-by-steven-f-roberts/https://colourandfilm.com/wp-content/uploads/2018/07/figure-5.jpgFigure 5Figure 5. Gradation of emphasis: cardinals discretely flow through the city - the officials sense their presence (as do we).https://colourandfilm.com/wp-content/uploads/2018/07/figure-4.jpgFigure 4Figure 4. Red flowers extend outwards, a (focal) point of confluence for the advancing soldiers far below.https://colourandfilm.com/wp-content/uploads/2018/07/figure-3.jpgFigure 3Figure 3. A wall of red: bare shapes as crimson banners loyal to the Pope cross the foreground.https://colourandfilm.com/wp-content/uploads/2018/07/figure-2.jpgFigure 2Figure 2. A distant red flag runs diagonally from screen corner right to left, as do the red flowers in foregroundhttps://colourandfilm.com/wp-content/uploads/2018/07/figure-1-two-tone-research-sketches.jpgFigure 1 two tone Research SketchesFigure 1. Roberts: two-tone outlines of opening battle sequence in The Agony and the Ecstasy.2018-07-09T10:14:33+00:00monthlyhttps://colourandfilm.com/2017/12/03/featured-content/https://colourandfilm.com/wp-content/uploads/2017/12/a-panel-discussion-at-the-third-international-colour-in-film-conference-at-the-bfi.jpgA panel discussion at The Third International Colour in Film Conference at the BFIA panel discussion at the Colour Group GB's Third International Colour in Film Conference, BFI Southbank and Birkbeck, University of London.https://colourandfilm.com/wp-content/uploads/2017/12/lea-aus-dem-sc3bcden-1963-gottfried-kolditz-photographs-of-the-agfacolor-safety-print-by-barbara-flueckiger.jpgLea aus dem Süden (1963, Gottfried Kolditz). Photographs of the Agfacolor Safety Print by Barbara FlueckigerLea aus dem Süden (GDR 1963, Gottfried Kolditz). Credit: DEFA Foundation. Photograph of the Agfacolor Safety Print by Barbara Flueckiger.https://colourandfilm.com/wp-content/uploads/2017/12/sarah-street-presents-research-from-the-eastmancolor-revolution-group-at-the-third-international-colour-in-film-conference.jpgSarah Street presents research from The Eastmancolor Revolution group at the Third International Colour in Film ConferenceSarah Street presents research from the Eastmancolor Revolution and British Cinema, 1955-1985 project.https://colourandfilm.com/wp-content/uploads/2017/12/william-carol-discusses-suzuki-seijun-at-scms-in-toronto-e1526301697536.jpgVersion 2William Carol discusses Suzuki Seijun at SCMS 2018 in Toronto.https://colourandfilm.com/wp-content/uploads/2017/12/apple-iphone-books-desk1.jpgPlaceholder Image2018-06-30T17:00:42+00:00monthlyhttps://colourandfilm.com/2018/05/14/notes-on-colour/2018-05-19T16:45:56+00:00monthlyhttps://colourandfilm.com/founding-members/2018-04-26T11:00:27+00:00weekly0.6https://colourandfilm.com/abstracts-journeys-through-colour/https://colourandfilm.com/wp-content/uploads/2018/03/lw-rai-image.jpgLW RAI Imagehttps://colourandfilm.com/wp-content/uploads/2018/03/rai-jan-faull-noel.jpgRAI Jan Faull Noelhttps://colourandfilm.com/wp-content/uploads/2018/03/rai-1-e1520948613291.jpgRAI 12018-03-13T13:53:37+00:00weekly0.6https://colourandfilm.com/baftss-2018-presentations-on-colour-and-film/https://colourandfilm.com/wp-content/uploads/2018/03/slide1-e1520256530668.jpgSlide1https://colourandfilm.com/wp-content/uploads/2018/03/slide4.jpgSlide42018-03-05T15:23:38+00:00weekly0.6https://colourandfilm.com/british-women-filmmakers-and-colour-films/https://colourandfilm.com/wp-content/uploads/2018/03/slide5.jpgSlide5https://colourandfilm.com/wp-content/uploads/2018/03/slide6-e1526302339391.jpgSlide62018-03-02T13:47:48+00:00weekly0.6https://colourandfilm.com/professor-lynda-nead-greyscale-and-colour/2018-02-28T00:10:17+00:00weekly0.6https://colourandfilm.comdaily1.02026-04-03T20:23:30+00:00